史蒂文·海勒（Steven Heller），纽约视觉艺术学院“设计师即作家”艺术硕士项目的联合主席。他曾在《纽约时报》任艺术总监33年，现为《纽约时报书评》撰写“Visuals”专栏。他曾任《AIGA平面设计期刊》的编辑，现任《AIGA VOICE：线上设计期刊》的编辑。他也是《PRINT》《EYE》《基线》《i-D》杂志20多年的特约编辑，并为多份其他设计与文化杂志撰写文章和专栏。他参与撰写和编辑过上百本关于设计和流行文化的书籍。他在1999年获得AIGA终身成就金奖章，在2011年获得史密森尼国家设计奖的设计思维奖。 盖尔·安德森（Gail Anderson），设计师、作家、教育家，纽约艺术学院的设计工作室Visual Arts Press的设计与数字媒体总监。她与乔·牛顿（Joe Newton）共同创办了设计事务所Anderson Newton...(展开全部)

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world. Faithfully producing and methodically an...(展开全部)

This revised and enlarged fourth edition features five new chapters, which treat classical results such as the "Fundamental Theorem of Algebra", problems about tilings, but also quite recent proofs, for example of the Kneser conjecture in graph theory. The new edition also presents further improvements and surprises, among them a new proof for "Hilbert's Third Problem". From th...(展开全部)

This revised and enlarged fourth edition features five new chapters, which treat classical results such as the "Fundamental Theorem of Algebra", problems about tilings, but also quite recent proofs, for example of the Kneser conjecture in graph theory. The new edition also presents further improvements and surprises, among them a new proof for "Hilbert's Third Problem". From th...(展开全部)

Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold's life and wo...(展开全部)

Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputa...(展开全部)